Episode 2 69m. Episode 3 67m. Episode 4 67m. Episode 5 67m. Episode 6 66m. Episode 7 64m. Episode 8 64m. Episode 9 64m. Episode 10 62m. Episode 11 64m. Episode 12 64m. Episode 13 64m. Episode 14 64m. Episode 15 63m. Episode 16 64m. Episode 17 63m. Episode 18 63m. Episode 19 63m. Episode 20 64m. More Details. Watch offline. Available to download. This show is Emotional, Romantic. Yeo Jin Goo Supporting Cast. Lee Won Geun Supporting Cast. Kim Young Ae Supporting Cast. Lee Tae Ri Supporting Cast.
Yang Mi Kyung Supporting Cast. Kim Seung Wook Supporting Cast. Ahn Nae Sang Supporting Cast. Kim So Hyun Supporting Cast. Yoon Seung Ah Supporting Cast. Bae Nu Ri Supporting Cast. Kim Yoo Jung Supporting Cast. She tells Lord Yoon to be the hero, because there can only be one sun in the sky; one must be eliminated.
A frame job, perhaps? One masked intruder readies to assassinate his target in bed, but finds it empty. She had mentioned that the brothers had a good relationship, but in her mind the younger is dangerous, just by virtue of being close to the throne. Someplace else, a woman named Ahri — a shaman — wakes up with a gasp, filled with an ominous feeling.
He fends them off well, but is eventually felled and disarmed. Enter Lord Yoon, who faces him smugly. Uiseong is full of righteous anger, knowing full well that the king, his brother, will believe him over the shifty Lord Yoon. Uiseong charges, Lord Yoon slices his throat, and the terrified shaman Ahri witnesses this all from just over the wall.
She slips and falls far below. The assassins check the base of the ravine and only find her official red hair sash. When the others are assembled, the head shaman notes that Ahri is missing, which identifies the runaway. The queen dowager, oddly, is pleased, saying this is a stroke of fortune.
What if that woman desired her lover to become king? And what if she was manipulating him through some sort of magical power? The deaths are painted as suicides by guilt-stricken conspirators, and King Seongjo Ahn Nae-sang receives this report in disbelief. The head shaman is brought forth to read the symbols on the talisman.
The pregnant woman, Lady Shin, hurries to help her and orders Ahri put into the sedan chair. The officer lets them pass. He belatedly sees blood dripping from the back of the chair and orders them to stop.
Ahri is deeply grateful to the lady, and says that her baby girl is as beautiful as the moon. Ahri parts ways with the lady, but is soon captured and brought back to the palace, where she is tortured. Lord Yoon asks who the talisman was meant for, but of course she has no clue. The moonlight of that night seeped inside, too. Wait and see! One day your wicked deeds will be revealed under the moonlight! One day that moonlight will cut your own lifeline!
Ahri is tossed into prison to await execution. Ahri says neither one of them ever aspired to the throne, and entrusts Nok-young to protect a child in her stead. The next day, Ahri is taken to be drawn and quartered for her supposed crime.
As she lies on the mat, she sees the sun in the sky, diverging into two. Another vision comes to her: A smiling boy, a friendly brother, the girl again. I pray you all will remain safe. As she dies, a baby is born. She looks up at the moon, which morphs into the sun, and when we pan down again, we are years later. At the palace, lavish festivities are prepared. A ceremony is being held today for the young scholars who have passed the civil service examination, who will give their bows to the king and receive a gift from him.
In a room far from the hubbub, we find a table — set with foods swiped from the main event — where the young crown prince studies a drawing of the palace grounds. He finds Eunwolgak, aka the Silver Moon Building, and sets out with his royal knapsack. Lady Shin arrives at the palace with Yeon-woo in tow, her nose buried in a book.
Not only is her father, Lord Heo, a high-ranking official who will be present at the ceremony, her brother Yeom is among those being honored. We see that nefarious Lord Yoon has now advanced in position as minister of the interior. There are two friends in particular among the scholars who merit our notice: Yeom and Woon which, by the way, means Cloud. Get it?
With Prince Hwon missing, one of his guardians sends palace guards to find him quickly. Meanwhile, the ceremony proceeds, and Lady Shin belatedly realizes that Yeon-woo has wandered off, distracted by a butterfly. Prince Hwon emerges from his hiding place and prepares for his escape over the palace wall.
Ah, puppy love. Hwon falls off his ladder, knocking Yeon-woo to the ground with him. They lay sprawled together for a moment. The moment is marked by a shower of flower petals, and the wind blows away his parasol. They get up and look away awkwardly. Hwon stops her, stuttering a lame excuse about just looking for an exit. When he grabs his bag, though, everything comes tumbling out — teacup, sweets, calligraphy brush. They escape the guards and stop running. With a heavy sigh, he confides that he was actually leaving the palace to meet his hyung.
Hwon explains that his hyung was born of a different mother, and a warm-hearted person, while in flashback we see two young boys playing in the palace. So he was on his way to find him himself.
Lady Shin has been worried sick, so when she spots Yeon-woo, she grabs her in a relieved hug. Oh, so cute. Hwon is soundly scolded by the king for his repeated attempts to leave the palace. The king reacts angrily and punishes him with additional restrictions. The queen dowager meets with Minister Yoon, and the metaphor of the day is bonsai.
Hint, hint. Minister Yoon alludes to massive change in their future, i. The queen dowager states that they need to find a proper instructor for the crown prince, because that person will be shaping the future of the nation. Minister Yoon has just the person for the job. Yang-myung has been traveling and now returns to the capital. In the village, Yang-myung trades some fowl for money to buy his buddies presents and hears of someone selling a cure-all drug, which piques his curiosity.
Yang-myung sits in the crowd while a girl spouts all sorts of psychic predictions, as though she can tell what ails everybody. It helps that con men signal to each other surreptitiously and give her clues.
Yang-myung tells the man next to him that he suffered a leg accident while hunting a boar quite probably lying in order to test out his hunch. Sure enough, when he gets to the front, the supposedly psychic girl prompted by signals declares that he has injured his leg. The girl describes a beautiful yellow-red light.
The girl is grabbed out of his arms and taken away by the boss — who is then challenged by Nok-young, who demands the child be handed over. Behind her are palace guards. Yang-myung gets beat up for his interference, and the thugs laugh at his claim that he learned swordfighting from an expert. He gets knocked down, and suddenly his wimpy demeanor changes. Getting up easily, he flies at them and takes down the whole crew in a flurry of punches and flying kicks.
He asks for forgiveness, and wonders after the crown prince. Inside the palace, Hwon finds his every step dogged by a whole gaggle of guards, assigned to keep a close watch on him. As he looks up, a shower of flower petals rains down on him, which makes him think of the flowers that fell when he was with Yeon-woo. At home, Yeon-woo rereads the note from Hwon. There are two sayings written there, and while Yeon-woo understands what they mean literally, she puzzles over the actual message.
Yeon-woo is served by a young slave named Seol future Yoon Seung-ah , whose name means Snow. In the distance he sees Yeon-woo emerging from the house into the courtyard. But now she starts to put the clues together, excited. In the palace, Hwon wonders, with hope, if they might be able to meet again after all. All in all, a solid opening. The drama is definitely well-made, with strong acting, wonderful child actors, and gorgeous visual appeal.
I can see why it shot to first-place standings off the bat. And all in fairly recent shows, no less. What makes this drama potentially different rather than Sageuk Remix is the fantasy aspect, as well as making a young king its focus. That could get tiresome.
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